Emilio Pinchi’s, Invisible Man is one of those songs that just clicks. The simplistic and yet carefully crafted sound is instantly likeable and so I can’t help but feel myself somewhat redundant in trying to convince you. Just listen to it yourself. Go on, I’ll wait.....
You see? His vocals are reminiscent to that of Oasis, but there is a melodic sweetness in them that instantly pulls you in. Aptly classed as almost folk, it has the heart and soul of folk music but with a distinctly modern feel from this 19 year old singer.
Pinchi, writes, sings and arranges the song himself, which is evident in the deliberate placement of each note. From this we really get a sense of his connection to the song. You can feel this meticulous design in the perfect cohesion between the lyrics and the instruments. Each word that is sung seems to vibrate perfectly alongside each pluck of the guitar string, or each strike of the piano key. The way the song is structured, gives an impression of a restrained energy. Starting slow at the beginning, it then speeds up reaching its crescendo with the aid of the piano and drums, but then slows down again. Almost as though he is trying to stop this massive burst of emotion in the middle of the song. This temperate nature and soft melody work in tandem to create a wistful melancholy. A kind of charming sadness.
Overall, this song just works. A fantastic song from a fantastic young singer, and I can’t wait to hear more from him.
Christopher Mairs
You see? His vocals are reminiscent to that of Oasis, but there is a melodic sweetness in them that instantly pulls you in. Aptly classed as almost folk, it has the heart and soul of folk music but with a distinctly modern feel from this 19 year old singer.
Pinchi, writes, sings and arranges the song himself, which is evident in the deliberate placement of each note. From this we really get a sense of his connection to the song. You can feel this meticulous design in the perfect cohesion between the lyrics and the instruments. Each word that is sung seems to vibrate perfectly alongside each pluck of the guitar string, or each strike of the piano key. The way the song is structured, gives an impression of a restrained energy. Starting slow at the beginning, it then speeds up reaching its crescendo with the aid of the piano and drums, but then slows down again. Almost as though he is trying to stop this massive burst of emotion in the middle of the song. This temperate nature and soft melody work in tandem to create a wistful melancholy. A kind of charming sadness.
Overall, this song just works. A fantastic song from a fantastic young singer, and I can’t wait to hear more from him.
Christopher Mairs